04.05.2020 - 14.06.2020

customer satisfaction is our main motivation is made up of subtle acts of subversion that disturb contemporary modes of production and decorate our everyday delirium. Working with familiar references, ordinary gestures and holiday plans, promises of escapism and endless happiness are broken.

Andrea Raemy is repurposing materials from crafting and construction to reflect on notions of softness, resistance and the (im)possibility of action. In this exhibition she intertwines in a gestic way rudeness and poetics of homeliness.

Dominique Joller
is harnessing handwoven tapestry to reproduce the imagery of advertisement. This paradoxical movement of production is decelerating the logic of these .

Simona Ferrari is using the neon sign in the urban context to display architecture as a bidimensional image. This act of doubling is withal performed through the notion of looking as a bodily experience.

photography by al_vista

15.04.2020 - 02.05.2020

In between the exhibitions, the shutter of al_vista is occupied with Ardil Yalinkiliç’s Contemporary Poetry. These are poems the artist created using the limited vocabulary of Tinder profiles of men that he has collected.

photography by Stéphanie Gygax

03.03.2020 - 12.04.2020

the absolute minimum for a short-term well-being
reflects on precarious structures, both social and material, that define our current located condition. From the need of production to the speed of obsolescence, the exhibition explores the constant fear of becoming disposable.

Jiajia Zhang works with citations from art and popular culture. At Dienerstrasse she enlarges a screenshot she took from the cover of a recent exhibition catalogue of Julie Becker, suggesting close ties between artistic production, private space and real estate.

Adrian Fernandez Garcia creates a vocabulary of dysfunctional technical objects. Washfountain is a hacked fountain that compromises the hope in technical solutions. A spectacular view to a stainless steel circular multistation hand wash appliance.

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